If each member of a band or music group could afford their own lawyer, lawyers could draft an agreement on behalf of their clients, which is not common. Instead, after ruling on the topics discussed above, a group should ask a lawyer to review its decisions and write a legally binding agreement. A lawyer cannot represent all class members. This would create a conflict of interest; However, a lawyer can be a “scribe” who imposes the decisions of the group by preparing a legally binding agreement. Fees can range from US$1,000 to US$5,000 or more, depending on the complexity of the case. Even in the absence of a full group agreement, a band or music group may wonder: Who owns the name, with a form like this: Another control issue that needs to be decided concerns the recruitment and dismissal of band members: how to calculate votes (for example. B each member gets one vote or counts twice as many votes as a particular member) and how many votes are needed (e.g. B a majority or unanimous vote) to dismiss a group member and/or hire a new member. In most cases, a newly elected member of the group must sign the group agreement. It is also necessary to decide how to vote on amendments to the band agreement, as this can have a significant influence on the relations between members after the start of the group. In most cases, majority voting is considered crucial, but some members may prefer a unanimous vote on issues such as amending the agreement (as well as stopping or dismissing).
This must be decided between and among the members of the group. To register a work, including a song or master, a completed entry form, a non-refundable registration fee and a non-refundable copy of the work. Here you will find the answers to the main questions relating to registration: (a) Subject to paragraph 6 (b) below and unless otherwise agreed in writing by all partners, the partners are associated equally with all profits, losses, rights and obligations of the partnership. Therefore, if a partner assumes or fulfils at any time a disproportionate share of the financial obligations of the partnership, it is entitled to reimbursement by the other partners in proportion to the amounts that may otherwise be paid to them as partners. “Net profits” (as defined below) are distributed from time to time in cash to partners, but only where a majority of existing partners have expressly approved it. “Net profits”, as used herein, are all commissions, royalties (including recording fees, but excluding “songwriter`s share” and “publisher`s share” in music publishing costs), bonuses, payments (excluding loan repayments), fees (including synchronization fees), dividends, share bonuses, interest or funds of any kind, which are paid to the partnership or to a partner as a result of the partnership activities after deduction of the sum of all salaries, rent, advertising expenses, travel expenses, office expenses, telephone costs, accounting and lawyer`s fees, maintenance costs and all legitimate partnership costs incurred by the partnership during the implementation of twinning operations. . .